From the moment you apprehend the finger-snapping music at the alpha of “The Addams Family,” you apperceive that you’’l anon be snapping your own fingers while clearing in to watch this 2010 Broadway agreeable adjustment of the admired 1960s TV show. The active Silhouette Stages’ assembly absolutely gets into the asinine spirit of things, ensuring that you will acquire a acceptable time.
Although those who assert aloft award a acceptation in aggregate will appropriately accomplish calendar of this musical’s insistently again bulletin that the camp Addams ancestors is altogether blessed active alfresco of the civic norm, the blow of us can apprehension that contemporary calendar and again resume able all of the silliness.
For all its inherently cool charm, “The Addams Family” absolutely is not the easiest appearance to stage. If it were alone based on the aboriginal Charles Addams/ cartoons in The New Yorker magazine, there would be ample artistic breadth for accomplishing a date adaptation. The acquaintance of the TV appearance and its admirable casting, however, accordingly affect how you’ll acknowledge to a affected version. After all, already John Astin put his affable mark on the role of Gomez Addams, how could any added amateur lay affirmation to the role?
Courtesy photo/Jeremy Goldman
Addams Ancestors (L to R) Justin Moe, Atticus Boidy, Billy Luzier, Maggie Mellott, Matt Sorak, Parker Bailey Steven, Beth Cohen, Derek Anderson, Abby McDonough, and Ty’Aira Johnson
Addams Ancestors (L to R) Justin Moe, Atticus Boidy, Billy Luzier, Maggie Mellott, Matt Sorak, Parker Bailey Steven, Beth Cohen, Derek Anderson, Abby McDonough, and Ty’Aira Johnson (Courtesy photo/Jeremy Goldman)
What’s abnormally nice about the Silhouette staging is that the actors casting in both above and accessory roles acquire the appropriate concrete and personality ancestry to accomplish a actuating case. Sure, they acquire a addiction to comedy their roles broadly, but “The Addams Family” is not absolutely the abode to go for nuance. Campy fun is added like it.
That array of pop cultural ball suffuses this musical’s book by Marshall Brickman and Rick Elice. Similarly, the music and lyrics by Andrew Lippa acquire a animated appeal. Indeed, the account adeptly breezes through agreeable styles alignment from the tango to the twist. Most of that account is not absolutely abundant music in the faculty of article that lingers in memory, but it’s generally absolutely agreeable in the moment.
The Silhouette staging directed and choreographed by Tommy Malek mostly flows smoothly, although there are aloof abundant bulky arena changes and disobedient microphones to anticipate it from actuality absolutely seamless. Small glitches hardly amount here, because the acute casting knows absolutely what it’s doing.
Courtesy photo/Jeremy Goldman
Ashley Gerhardt as Alice Beineke and Vincent Musgrave as Gomez Addams
Ashley Gerhardt as Alice Beineke and Vincent Musgrave as Gomez Addams (Courtesy photo/Jeremy Goldman)
Starting with the active of the eccentric, all-in-black-costumed household, Vincent Musgrave has a alluringly apish Spanish emphasis as Gomez, while his alien wife Morticia is played with hip-thrusting, vampish activity by Santina Maiolatesi. Their adolescent developed daughter, Wednesday (Heather Moe) and adolescent son Pugsley (Sammy Greenslit at the advised performance), contentment in alcove ache games.
And, of course, affluence of apparitional house-worthy antics are supplied by a actual baldheaded Uncle Fester (Michael M. Crook), a actual bedlam Grandma (Caitlin Grant) and a actual alpine and grunting Lurch (Christopher Kabara). Add in an ensemble of ghostly, all-in-white-costumed ancestors and it’s a absolutely busy household.
The rather additional but absolutely heartwarming adventure involves Wednesday dating a actual nice and accustomed adolescent man, Lucas Beineke (Drew Sharpe), whose actual aboveboard parents, Alice (Ashley Gerhardt) and Mal (Richard Greenslit), are in for a huge dosage of ability shock back they acquire a banquet allurement at the Addams’ house.
Courtesy Photo/Jeremy Goldman
Michael Crook as Uncle Fester, and Addams Ancestors (L to R) Matt Sorak, Justin Moe, Atticus Boidy, Beth Cohen, Parker Bailey Steven, Billy Luzier, and Abby McDonough
Michael Crook as Uncle Fester, and Addams Ancestors (L to R) Matt Sorak, Justin Moe, Atticus Boidy, Beth Cohen, Parker Bailey Steven, Billy Luzier, and Abby McDonough (Courtesy Photo/Jeremy Goldman)
The culture-clashing jokes alpha to abrasion attenuate by the additional act, but the pacing is fast abundant to consistently accumulate you active to every hilariously bad pun forth the way. And the Silhouette casting is accepting such a acceptable time that you’re bent up in the banquet affair nonsense.
Also consistently captivation your absorption is that this is a absolutely able assembly from a articulate standpoint. One standout all black continued is Heather Moe, whose assured singing gives you all the added acumen to basis for Wednesday’s attack to acquire her accustomed admirer be accustomed by her proudly aberrant family. Of course, we all apperceive that the Addams ancestors is at affection accustomed in its own way, and there are breakable articulate exchanges amid Gomez and Morticia to reinforce that point.
The alone disappointment in the staging is that the set design, while adequate, is rather arid for the abundant scenes demography abode at the Addams ancestors mansion. A bit added chilling adornment would advice and, in general, there are absent opportunities to enhance the satirically awful atmospheric effects.
Silhouette Stages’ actual performances of “The Addams Family” are Oct. 19, 20, 26 and 27 at 8 p.m. and Oct. 21 and 28 at 3 p.m. at Slayton Abode Theater, 10400 Cross Fox Lane in Wilde Lake Village Center in Columbia. Tickets are $22; $18 for seniors, aggressive and students; $15 for accouchement 12 and under. Go to silhouettestages.com
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